A recent series of sculptures involved castings of baby dolls placed in cheeky situations such as one on an underwear billboard which appears to be suckling a woman's breast.
"I like getting people to question their surroundings, what is real and what isn't. These days, people are so buried in their mobile phones and I just wanted to get them to look up.
So at the beginning, I was collecting social data about people's reactions. But six years later, these images are more about poetry, of capturing a magical moment.
They often tend to be marginalized individuals, sometimes in lonely states, so it's poetic but also dark.
For example, the guy in the river is holding a bunch of colored balloons that are almost trying to magically lift him out. There's always an undercurrent of hope.
I was trying to start a campaign, like a graffiti artist would with a tag -- apart from I did it with an invasion of babies.
I felt I had introduced a new medium and the baby was symbolic of that, as well as being symbolic of not being cared for like insects that have to care for themselves.
Also it was a way to experiment, an exercise in space. We always try to put some up whenever we go to a new city as part of my project. Here in Berlin we've put the babies up pretty high using a ladder, but people tend to get them down anyway, like an adoption process."
